"Oh, she has dispelled it." "I should think you might, with half your things here! It's Poynton itself—almost. Good-bye, Mr. Gereth," Fleda added. Her intention had naturally been that the neat young woman, opening the front door, should remain to close it on the departing guest. That functionary, however, had acutely vanished behind a stiff flap of green baize which Mrs. Gereth had not yet had time to abolish. Fleda put out her hand, but Owen turned away—he couldn't find his umbrella. She passed into the open air—she was determined to get him out; and in a moment he joined her in the little plastered portico which had small resemblance to any feature of Poynton. It was, as Mrs. Gereth had said, like the portico of a house in Brompton.!

"You do mean literally everything, to the last little miniature on the last little screen?" "Please let me out, Mr. Gereth," she said; on which he opened the door with an hesitation so very brief that in thinking of these things afterwards—for she was to think of them forever—she wondered in what tone she could have spoken. They went into the hall, where she encountered the parlor-maid, of whom she inquired whether Mrs. Gereth had come in.

Her interlocutress was silent a little. "And that he has no feeling on his side?" Fleda had more than one small errand in the big bazaar, and he went up and down with her, pointedly patient, pretending to be interested in questions of tape and of change. She had now not the least hesitation in wondering what Mona would think of such proceedings. But they were not her doing—they were Owen's; and Owen, inconsequent and even extravagant, was unlike anything she had ever seen him before. He broke off, he came back, he repeated questions without heeding answers, he made vague, abrupt remarks about the resemblances of shopgirls and the uses of chiffon. He unduly prolonged their business together, giving Fleda a sense that he was putting off something particular that he had to face. If she had ever dreamed of Owen Gereth as nervous she would have seen him with some such manner as this. But why should he be nervous? Even at the height of the crisis his mother hadn't made him so, and at present he was satisfied about his mother. The one idea he stuck to was that Fleda should mention something she would let him give her: there was everything in the world in the wonderful place, and he made her incongruous offers—a traveling-rug, a massive clock, a table for breakfast in bed, and above all, in a resplendent binding, a set of somebody's "works." His notion was a testimonial, a tribute, and the "works" would be a graceful intimation that it was her cleverness he wished above all to commemorate. He was immensely in earnest, but the articles he pressed upon her betrayed a delicacy that went to her heart: what he would really have liked, as he saw them tumbled about, was one of the splendid stuffs for a gown—a choice proscribed by his fear of seeming to patronize her, to refer to her small means and her deficiencies. Fleda found it easy to chaff him about his exaggeration of her deserts; she gave the just measure of them in consenting to accept a small pin-cushion, costing sixpence, in which the letter F was marked out with pins. A sense of loyalty to Mona was not needed to enforce this discretion, and after that first allusion to her she never sounded her name. She noticed on this occasion more things in Owen Gereth than she had ever noticed before, but what she noticed most was that he said no word of his intended. She asked herself what he had done, in so long a parenthesis, with his loyalty or at least his "form;" and then reflected that even if he had done something very good with them the situation in which such a question could come up was already a little strange. Of course he wasn't doing anything so vulgar as making love to her; but there was a kind of punctilio for a man who was engaged. "I'm sure I don't remember."